The metallic elements are on clear display in the guitar work, which leans heavily towards the crunchy, rhythmically precise character of the same NWOBHM style that would be brought up to light speed by Dave Mustaine and James Hetfield, but with a tiny bit more of a swampy tone to keep the predominant influence of Tony Iommi and, to a lesser extent, Jimi Hendrix, in much the same way that said 60s icon’s noise driven, all over the place live performances influenced Dave Chandler.Ĭanon super g3 printer troubleshooting. Whereas in his previous music with his former band the stylistic conventions of his sound were not wholly defined, this stands as the first in a fairly consistent display of outlandish songs that bridge the gap between 19.

As far as where to go in seeking a starting point in Chain’s lengthy discography, the obvious choice is right here in Violet Theatre’s first EP “Detaching From Satan”, which seems to be an ironic way of pushing away from his past with the pioneering Italian metal outfit Death SS. The style that drives the spirit of this music is definitely identifiable to anyone who is immersed in the mysticism of Pentagram, Trouble, Sleep and others of the emerging scene of the early to mid 80s, but where usually a few little nuances make these acts distinct, Paul Chain has staked out territory all his own with an extremely exaggerated variant of the sub-genre that has lost none of its mystique in the passing decades. To put it plainly, his unique blend of archaic rock, psychedelic atmosphere, church choir ambiences and Sabbath influenced doom metal lay somewhere in between the realm of what is heard and what is otherwise experienced. There’s music that is meant to be heard, there is music that is meant to be experienced, and then there is Paul Chain’s music. Winter's agony mediafire free music omg piss in your own mouth with sheer unadulterated joy death.

Paul chain detaching from satan rar